(DVD) Rear Window (1954) หน้าต่างชีวิต (มีพากย์ไทย)

Rear Window (1954) หน้าต่างชีวิต
ประเภทแผ่น: DVD
แนวภาพยนตร์: ลึกลับ, ระทึกขวัญ (Mystery, Thriller)

คะแนนจาก IMDB = 8.5/10 (ผู้โหวต 303,888  คน) (ได้รับคะแนนนิยมสูงสุดเป็นอันดับที่ 37 ของเว็บ IMDB)
คะแนนจาก Rottentomatoes = 100/100 (จากนักวิจารณ์ 63 คน) และ 95/100 (จากนักดูหนัง 148,293 คน)

+++ เรื่องย่อ +++

1 ในหนัง 1,001 เรื่องที่ห้ามพลาดในชาตินี้
(1001 Movies You Must See Before You Die)

ช่างภาพมืออาชีพคนหนึ่งประสบอับัติเหตุขาหัก ทำให้เขาต้องนั่งอยู่บนรถเข็นในห้องทั้งวัน เมื่อเวลาผ่านไปเขาก็รู้สึกเบื่อจนอดไม่ได้ที่จะเอากล่องส่องทางไกล ส่องดูชีวิตของเพื่อนบ้าน แล้วอยู่มาวันหนึ่งเขาก็พบเงื่อนงำชวนสงสัยว่าชายคนหนึ่งอาจจะฆาตกรรมภรรยาของตนเองก็เป็นได้

=== รายละเอียด ===

ภาษา (Language)
English, Thai

บรรยาย (Subtitles)
English, Thai

จำนวนแผ่น (Disc Total): 1 แผ่น
สร้างโดย (Studio): Universal
จัดจำหน่ายโดย (Copyright): Catalyst (แคททาลิสท์)

ราคาปก 299 บาท
ราคาขาย 179 บาท

นำแสดงโดย James Stewart, Grace Kelly, Wendell Corey, Raymond Burr
กำกับโดย Alfred Hitchcock
สร้างจากเรื่องสั้นของ Cornell Woolrich
ความยาว 112 นาที

++ Storyline ++

Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. It was screened at the 1954 Venice Film Festival.

The film is considered by many filmgoers, critics and scholars to be one of Hitchcock's best and one of the greatest movies ever made. The film received four Academy Award nominations and was ranked #42 on AFI's 100 Years...100 Movies list and #48 on the 10th-anniversary edition. In 1997, Rear Window was added to the United States National Film Registry in the Library of Congress as being "culturally, historically, or aesthetically significant".

A "benefit world premiere" for the film, with United Nations officials and "prominent members of the social and entertainment worlds" in attendance, was held on August 4, 1954 at the Rivoli Theatre in New York City, with proceeds going to the American-Korean Foundation (an aid organization founded soon after the end of the Korean War and headed by President Eisenhower's brother).

The movie was released wide on September 1, 1954.

The movie went on to earn an estimated $5.3 million at the North American box office in 1954.

The film received overwhelmingly positive reviews from critics and is considered one of Hitchcock's finest films. On the website Rotten Tomatoes, the film has been universally praised, garnering a 100% certified fresh rating, based on 61 reviews, with the consensus stating that "Hitchcock exerted full potential of suspense in this masterpiece."

Critic Bosley Crowther of The New York Times attended the benefit premiere, and in his review called the film a "tense and exciting exercise"[5] and Hitchcock a director whose work has a "maximum of build-up to the punch, a maximum of carefully tricked deception and incidents to divert and amuse." Crowther also notes: "Mr. Hitchcock's film is not 'significant.' What it has to say about people and human nature is superficial and glib. But it does expose many facets of the loneliness of city life and it tacitly demonstrates the impulse of morbid curiosity. The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end."

Time called it "just possibly the second most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock" and a film in which there is "never an instant ... when Director Hitchcock is not in minute and masterly control of his material."[8] The same review did note "occasional studied lapses of taste and, more important, the eerie sense a Hitchcock audience has of reacting in a manner so carefully foreseen as to seem practically foreordained."[8] Variety called the film "one of Alfred Hitchcock's better thrillers" which "combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment."

Nearly 30 years after the film's initial release, Roger Ebert reviewed the Universal re-release in October 1983, after Hitchcock's estate was settled. He said the film "develops such a clean, uncluttered line from beginning to end that we're drawn through it (and into it) effortlessly. The experience is not so much like watching a movie, as like ... well, like spying on your neighbors. Hitchcock traps us right from the first ... And because Hitchcock makes us accomplices in Stewart's voyeurism, we're along for the ride. When an enraged man comes bursting through the door to kill Stewart, we can't detach ourselves, because we looked too, and so we share the guilt and in a way we deserve what's coming to him."

Rear Window has also proven popular among audiences. As of October 2015, Rear Window is the 37th highest-rated film on the Internet Movie Database, with an IMDb rating of 8.5/10; it is two places below Hitchcock's 1960 film Psycho, which is also rated 8.5/10.

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